Cindy Sherman

naviga tra le immagini e le parole delle artiste

Untitled #86 – Untitled #92, 1981

“The work is what it is and hopefully it’s seen as feminist work, or feminist-advised work, but I’m not going to go around espousing theoretical bullshit about feminist stuff”

“I didn’t want to make high art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn’t thinking in terms of precious prints or archival quality; I didn’t want the work to seem like a commodity”

Cindy Sherman

Glen Ridge, Stati Uniti, 1954